Sigourney Weaver was born Susan Alexandra Weaver in Leroy Hospital in Manhattan, New York City. Her father, TV producer Sylvester L. Weaver Jr., originally wanted to name her Flavia, because of his passion for Roman history (he had already named her elder brother Trajan). Her mother, Elizabeth Inglis (née Desiree Mary Lucy Hawkins), was an English actress who had sacrificed her career for a family. Sigourney grew up in a virtual bubble of guiltless bliss, being taken care of by nannies and maids. By 1959, the Weavers had resided in 30 different households. In 1961, Sigourney began attending the Brearley Girls Academy, but her mother moved her to another New York private school, Chapin. Sigourney was quite rather taller than most of her other classmates (at age 13, she was already 5′ 10″), resulting in her constantly being laughed at and picked on; in order to gain their acceptance, she took on the role of class clown. In 1962, her family moved to San Francisco briefly, an unpleasant experience for her. Later, they moved back east to Connecticut, where she became a student at the Ethel Walker School, facing the same problems as before. In 1963, she changed her name to “Sigourney”, after the character Sigourney Howard in F. Scott Fitzgerald’s “The Great Gatsby” (her own birth name, Susan, was in honor of her mother’s best friend, explorer Susan Pretzlik). Sigourney had already starred in a school drama production of “A Midsummer Night’s Dream”, and, in 1965, she worked during the summer with a stock troupe, performing in “A Streetcar Named Desire” and “You Can’t Take It With You” (she did not star in the latter because she was taller than the lead actor). After graduating from school in 1967, she spent some months in a kibbutz in Israel. At that time, she became engaged to reporter Aaron Latham, but they soon separated. In 1969, Sigourney enrolled in Stanford University, majoring in English Literature. She also participated in school plays, especially Japanese Noh plays. By that time, she was living in a tree house, alongside a male friend, dressed in elf-like clothes! After completing her studies in 1971, she applied for the Yale School of Drama in New Haven. Despite appearing at the audition reading a Bertolt Brecht speech and wearing a rope-like belt, she was accepted by the school but her professors rejected her, because of her height, and kept typecasting her as prostitutes and old women (whereas classmate Meryl Streep was treated almost reverently). However, in 1973, while making her theatrical debut with “Watergate Classics”, she met up with a team of playwrights and actors and began hanging around with them, resulting in long-term friendships with Christopher Durang, Kate McGregor-Stewart and Albert Innaurato. In 1974, she starred in such plays as Aristophanes’ “Frogs” and Durang’s “The Nature and Purpose of the Universe” and “Daryl and Carol and Kenny and Jenny”, as “Jenny”. After finishing her studies that year, she began seriously pursuing a stage career, but her height kept being a hindrance. However, she continued working on stage with Durang (in “Titanic” ) and Innaurato (in “Gemini” ). Other 1970s stage works included “Marco Polo Sing a Song”, “The Animal Kingdom”, “A Flea in Her Ear”, “The Constant Husband”, “Conjuring an Event” and others. However, the one that really got her noticed was “Das Lusitania Songspiel”, a play she co-wrote with Durang and in which she starred for two seasons, from 1979 to 1981. She was also up for a Drama Desk Award for it. During the mid-1970s, she appeared in several TV spots and even starred as Avis Ryan on the soap opera Somerset (1970). In 1977, she was cast in the role Shelley Duvall finally played in Энни Холл (1977), after rejecting the role due to prior stage commitments. In the end, however, Woody Allen offered her a role in the film that, while short (she was on-screen for six seconds), made many people sit up and take notice. She later appeared in Madman (1978) and, of course, Чужой (1979). The role of the tough, uncompromising Ripley made Sigourney an overnight star and brought her a British Award nomination. She next appeared in Очевидец (1981) and Год, опасный для жизни (1982), the latter being a great success in Australia that won an Oscar and brought Sigourney and co-star Mel Gibson to Cannes in 1983. The same year she delivered an honorary Emmy Award to her father, a few months before her uncle, actor Doodles Weaver, committed suicide. That year also brought her a romance with Jim Simpson, her first since having broken up two years previously with James M. McClure. She and Simpson were married on 1 October 1984. Meanwhile, Sigourney had played in the poorly received Сделка века (1983) and the mega-hit Охотники за привидениями (1984). She was also nominated for a Tony Award for her tour-de-force performance in the play “Hurly Burly”. Then followed Одна женщина или две (1985), Улица полумесяца (1986) and Чужие (1986). The latter was a huge success, and Sigourney was nominated for both a Golden Globe Award and an Oscar. She then entered her most productive career period and snatched Academy Award nominations, in both Best Actress and Best Supporting Actress categories, for her intense portrayal of Dian Fossey in Гориллы в тумане (1988) and her delicious performance as a double-crossing, power-hungry corporate executive in Деловая женщина (1988). She ended up losing in both, but made up for it to a degree by winning both Golden Globe Awards. After appearing in a documentary about fashion photographer Helmut Newton, Helmut Newton: Frames from the Edge (1989), and reprising her role in the sequel Охотники за привидениями 2 (1989), she discovered she was pregnant and retired from public life for a while. She gave birth to her daughter, Charlotte Simpson, on 13 April 1990, and returned to the movies as a now skinhead Ripley in Чужoй 3 (1992) and a gorgeous Queen Isabella of Spain in 1492: Завоевание рая (1992), her second film with director Ridley Scott. She starred in the political comedy Дейв (1993) alongside Kevin Kline, and then a Roman Polanski thriller, Смерть и девушка (1994). In 1995, she was seen in the romantic comedy Джеффри (1995) and the mystery thriller Имитатор (1995). The next year, she “trod the boards” in “Sex and Longing”, yet another Durang play. She had not performed in the theater in many years before that play, her last stage performances occurring in the 1980s in “As You Like It” (1981), “Beyond Therapy” (1981), “The Marriage of ‘Bette and Boo'” (1985) and “The Merchant of Venice” (1986). In 1997, she was the protagonist in Белоснежка: Страшная сказка (1997), Ледяной ветер (1997) and Чужoй 4: Воскрешение (1997). Her performance in Ледяной ветер (1997) gained her a BAFTA Award and another Golden Globe Award nomination. She also gave excellent performances in Карта мира (1999) and the sci-fi spoof В поисках галактики (1999). However, her next comedy Свой парень (2000) was not quite so warmly welcomed critically and financially. She next played a sexy con artist in Сердцеедки (2001) and had a voice role in Big Bad Love (2001). Her father died at age 93. Sigourney herself has recently starred in Ловелас (2000) and is planning a cinematic version of Парни (2002), the enthralling September 11th one-act drama she played on stage on late 2001. At age 60, she played a crucial role in Аватар (2009), which became the top box-office hit of all time. The film reunited her with her Чужие (1986) director James Cameron. Her beauty, talent, and hard-work keeps the ageless actress going, and she has continued to win respect from her fans and directors.